Monthly Archives: July 2011

Main Hall

a grand classical hall; gone are the numerous oil paintings of breeds of cow, but the elegance remains in this, our main theatre space

The Anatomy Lecture Room

a beautiful, small, hemispherical lecture theatre entirely made of wood

The Red Lecture Theatre

this room was built in 1971. No, sorry, this room IS 1971.

BAC: On Ways to Disappear

Me and the Machine

On Ways To Disappear is a short film screening for one viewer at a time, a jigsaw story that invites you to become one of its pieces.

BAC: Hannah Ringhamʼs Free Show (bring money) by Glen Neath

Meet a woman whose life has gone wrong. How much should you pay to hear her story? At the heart of this show lies the question of its worth.

“Cheap at twice the price.” Tim Crouch

BAC: Rotating in a Room of Images

Lundahl & Seitl

SOLD OUT

This is an intense fifteen minute long, immersive experience for one audience member at a time, set in a bewitching semi-darkness.  Prepare to be guided by a disembodied voice through a series of enigmatic and revelatory encounters

No. 52

Playfully colliding stylistic forms to create a blend of comedy, Two’s Company Three’s a Crowd presents the O’Reilly family of No.52, having a nice Sunday roast, but watch out for Mrs O’Reilly clobbering her husband with a bottle of red…

Traumatikon

Traumatikon is a feast for the imagination, and offers a Kantor-like experience, akin to the Dadaist happenings at Café Voltaire, with aspects of Russian Constructavist theatre. The result of a master class conducted by Andrzej Welminski and Teresa Welminska, with Counter-Active. Created in collaboration with, visual artists and former members of the internationally acclaimed Cricot2. [...]

Hotel Methuselah

Imitating the Dog revive their highly successful international touring piece for this year’s festival and for The British Council Showcase. Hotel Methuselah is a disturbing ghost story that creates a unique visceral experience for its audience. Guardian Guide Pick of the Week, 2006.

Entitled

Entitled is about hope, privilege and disappointment. Devised by three dancers, three technicians and a writer, it takes the form of a get-in and a get-out: the usually hidden choreography of transforming a theatre from an empty space into a show.

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